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Blah by Axl, Vibrance, Stinger, Necros, Human, Kamophlage, Jtown, Monaco's, Darkwolf, Nf, Porus, Sledge, Luvk, Bluenote, Cubik, Paso, Pothead, QPorcupine, Lepra, Sunday, Perisoft
/music/disks/1996/blah.zip
| 14 Jul 1997 (catalog date)
1,679,008 bytes
| Download FTP scene.org
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Spur Of The Moment by Aahz, Axl, Aztechie, Bluenote, Daedalus, Dilvish, Generic Blues, Jtown, Lemm, Luvk, Nf, Pothead, Qporcupine, Rage
/music/disks/1996/spur.zip
| 14 Jul 1997 (catalog date)
1,646,679 bytes
| Download FTP scene.org
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Wav To Xi Converter 1.2 by MAZ
/music/programs/convert/wav2xi12.zip
| 28 Apr 1997 (catalog date)
15,628 bytes
| Download FTP scene.org
| | 8/16 bit WAV to XI converter, incl. crossfade loop "detection", frequency to FT2 RelNote/FineTune conversion, amplification trigger and zero cross handling. NEW: removed readonly-WAV bug, now accepts paths in source filename to better integrate it with AKA's SMoRPhi
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Denzogtr.zip by Alessandro De Sanctis
/music/programs/players/denzogtr.zip
| 11 Dec 1997 (catalog date)
93,829 bytes
| Download FTP scene.org
| | This is the ultimate chords/scales finder: all you're looking for DenzoGtr can find. This is not a scales or chords dB, but a powerful engine that you cam program for finding all positions for both scales and chords. There is no a fix number of choice: you can find 10, 100, 1000, 10000 position for each chord depending from tunig, finger positions, inversions and other parameters. In the same way you can search for 3 notes for string scales or pentatonic pattern etc. Also arpeggios are simple to find. Remenber that DenzoGtr is designed to be expanded with your own tuning, scales and chords. So have fun, Alex.
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Kurzweil K2000 Rom Bank Basses by Lala
/music/samples/k2k_bass.zip
| 25 Jun 1997 (catalog date)
934,645 bytes
| Download FTP scene.org
| | Selected ROM Bank basses from my Kurzweil K2000. All are in 22 kHz, 16-bit mono WAV format. The *_c?.WAV denotes that these are multisample instruments.
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Samples from TB Proteus 1/XR by Sam Eassa
/music/samples/proteus1.zip
| 10 Sep 1996 (catalog date)
2,081,430 bytes
| Download FTP scene.org
| | This is the first (I hope) of a series of samples extracted from the Turtle Beach Multisound Proteus 1/XR synthesizer. All samples are 22kHz, 16 bit most were created by playing a C3 note on one PC and capturing it live on another. Post editing was done to equalize gain and remove the dead space. They are saved as .wav but can be changed using any one of many programs out there.
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Samples from TB Proteus 1/XR by Sam Eassa
/music/samples/proteus2.zip
| 10 Sep 1996 (catalog date)
1,868,625 bytes
| Download FTP scene.org
| | This is the second of a series of samples extracted from the Turtle Beach Multisound Proteus 1/XR synthesizer. The emphasis in this collection is on FX although some conventional samples are included. All samples are 22kHz, 16 bit most were created by playing a C3 note on one PC and capturing it live on another. Post editing was done to equalize gain and remove the dead space. They are saved as .wav but can be changed using any one of many programs out there.
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Samples from TB Proteus 1/XR by Sam Eassa
/music/samples/proteus3.zip
| 10 Sep 1996 (catalog date)
746,435 bytes
| Download FTP scene.org
| | This is the third of a series of samples extracted from the Turtle Beach Multisound Proteus 1/XR synthesizer. Whereas the first and second collections (proteus1.zip and proteus2.zip) were a collection of melodic as well as percussion samples at 22kHz/16 bits, this one is percussion only at 44.1kHz/16 bits. Based on some good feedback (thanks Jester :-) I kept all samples very basic (no combos or riffs) for maximum usefulness. The quality is also better due to the fact that the sampling was done locally on the multisound as opposed to using a seperate PC. This has yielded some very quiet and crisp samples compared to the first sets of samples. Although the samples are in .wav format, they can be ported to .smp or almost any other using a program such as Goldwave. All samples are 44.1kHz, 16 bit and were created by playing different percussion notes on the multisound, and capturing them live to RAM and then to disk. Post editing was done to optimize gain and remove the dead space.
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Samples from TB Proteus 1/XR by Sam Eassa
/music/samples/proteus4.zip
| 11 Sep 1996 (catalog date)
1,495,900 bytes
| Download FTP scene.org
| | This is the fourth and probably last in a series of samples extracted from the Turtle Beach Multisound Proteus 1/XR synthesizer. In this collection, I've tried to sample unique sounds native only to the proteus synthesizer and that cannot be found in the General MIDI set. I'm hoping to provide the means for the many composers out there to make some truly unique sounding mods. I kept all samples very basic (no combos or riffs) for maximum usefulness. The quality is also better due to the fact that the sampling was done locally on the multisound as opposed to using a seperate PC as was done on the first two Proteus packs. This has yielded some very quiet and crisp samples. Although the samples are in .wav format, they can be ported to .smp or almost any other using a program such as Goldwave. All samples are 44.1kHz, 16 bit mono and were created by playing different notes on the multisound, and capturing them live to disk using the Multisound's own digital audio sampler. Post editing was done to optimize gain and remove the dead space as well as to keep the samples reasonable small.
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Roland D-50 Samples by Soundwave
/music/samples/swd50.zip
| 11 Oct 1997 (catalog date)
16,076,830 bytes
| Download FTP scene.org
| | Samples taken from a Roland D50, the king of the late 80s - LA synthesis and PCM samples. This sample pack is made for those with samplers, not those who simply are trackers. All samples are default sampled at C3 unless noted in the text, and recorded at 44.1khZ, 16 bit on a Pro Audio Spectrum 16. Some of these samples you won't find anywhere else, BTW. Sorry, no loop points or envelopes are provided.
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Yamaha DX-27 Samples by Soundwave
/music/samples/swdx27.zip
| 11 Oct 1997 (catalog date)
16,992,316 bytes
| Download FTP scene.org
| | Samples taken from the Yamaha DX27 - 4-op FM, the little cousin of the DX7. This sample pack is made for those with samplers, not those who simply are trackers. All samples are default sampled at C3 unless noted in the text, and recorded at 44.1khZ, 16 bit on a Pro Audio Spectrum 16. Some of these samples you won't find anywhere else, BTW. Sorry, no loop points or envelopes are provided.
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Roland Juno 106 Samples by Soundwave
/music/samples/swjuno1.zip
| 11 Oct 1997 (catalog date)
15,529,471 bytes
| Download FTP scene.org
| | Samples taken from the Roland Juno 106 - Analog-based synthesizer with thundering bass. This sample pack is made for those with samplers, not those who simply are trackers. All samples are default sampled at C3 unless noted in the text, and recorded at 44.1khZ, 16 bit on a Pro Audio Spectrum 16. Some of these samples you won't find anywhere else, BTW. Sorry, no loop points or envelopes are provided.
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Roland Juno 106 Samples #2 by Soundwave
/music/samples/swjuno2.zip
| 11 Oct 1997 (catalog date)
18,988,252 bytes
| Download FTP scene.org
| | Samples taken from the Roland Juno 106 - Analog-based synthesizer with thundering bass, Yamaha TX16W - Sampler with Typhoon OS the modulation makes synthesis possible. By popular demand, the Juno pack is back! And this time, we've got a lot of resonance for all of you techno guys out there. (: We've got a couple of samples of resonant acid-like bass, plus a lot of other goodies with booms, distortion, LFOs, etc. There are 25 additional Juno sounds here, recorded at 44.1kHz, 16 bit on a Pro Audio Spectrum 16 with the sample point at C3 unless otherwise noted. Sorry, no loop points or envelopes are provided. Be sure to check out the Typhoon TR-808-like kit as well.
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Korg X5 Samples by Soundwave
/music/samples/swx5.zip
| 11 Oct 1997 (catalog date)
16,367,474 bytes
| Download FTP scene.org
| | Samples taken from the Korg X5, a classy little sample-based synthesizer. This sample pack is made for those with samplers, not those who simply are trackers. All samples are default sampled at C3 unless noted in the text, and recorded at 44.1khZ, 16 bit on a Pro Audio Spectrum 16. Some of these samples you won't find anywhere else, BTW. Sorry, no loop points or envelopes are provided.
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